Photoshop CS6 offers a new way to achieve lens corrections. And you can now simultaneously change layer styles and effects for all layers in a group. You can also now see opacity, fill, and blend modes of hidden layers. Other tweaks include the ability to simultaneously change the blend mode of and to duplicate multiple layers. Photoshop CS6 adds a Layer Search function and the use of vector layers to apply-for the first time-strokes, dashed lines, and gradients to vector objects. Over the years, Photoshop’s layers feature has received much attention and many improvements. The horse at the right was moved closer to his companions-note the selected new location. The Content Aware Move tool lets you relocate objects within an image. The new content-aware tools are grouped with the Healing Brush in the toolbar. Thus, Photoshop performs a little extra blending to make lines and patterns match.
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The Patch tool’s new Content Aware option, a more refined cloning operation, lets you choose the pixels used to fill a designated area in an image, as opposed to letting the program decide. The Content Aware Move tool lets you pick up an object and relocate it to another part of the image while the program performs a content-aware fill operation in the background. Adobe now has added to the content-aware features of previous versions the new Content Aware Move and Content Aware Patch functions. This lets you edit in an intuitive way with more realistic looking results. In past versions of Photoshop, Adobe introduced the concept of content-aware image technology, in which edits can take into account the relationship between objects and elements in an image. But you can change it to whatever you want at any time. Photoshop CS6 defaults to a dark interface with light type. Attention to such details keeps the Photoshop looking fresh. A new Properties panel now combines Adjustment layer and Mask settings into a single panel.
Panels are now labeled in upper- and lowercase type instead of in all caps, enhancing legibility. The dark, Aperture-like theme looks attractive, but as with all light type on a dark background, menu items can be difficult to read.Īnd speaking of interface updates, Adobe has also redesigned and streamlined the program’s menu icons, though they’re still familiar and easily recognizeable. The same holds true for Photoshop’s companion asset management application, the now 64-bit Bridge. However, you can set the interface colors to whatever you want, and they change immediately. This is intended to complement themes of some of Adobe’s other creative programs-specifically Lightroom 4, Premiere Pro, and After Effects.Īdditional default themes in medium gray, light gray, and black are also included. The program has gone over to the dark side by default, opening to a sophisticated-looking dark gray interface. The changes in the new version of Photoshop are immediately apparent.